Leslie Smith III

I am an artist who creates paintings and works on paper that explore the relationship between abstraction and identity. My art investigates themes such as compatibility, transparency, resentment, and opaqueness, which I see as influences on our interactions with people in our daily lives. Reflecting our complex and multifaceted identities, my paintings are composed of multiple parts, with individual-shaped canvases functioning as excerpts that represent parts of something greater. I am curious about the space beyond the surface of the canvas and seek to invite the viewer to delve deeper into the layers of my work.
 
My creative process reflects my interest in painting gestures and their allegorical potential in broadening notions of Black expression. Isolated gestures are assembled into rigid structures, reflecting the challenges of deriving meaning from form and color while also taking shape as objects imbued with emotive sensibilities. These works acknowledge the complexities of Black identity as they relate to personal experience.
 
I paint to archive processes in search of challenging yet familiar aesthetics. Like a collage artist, I reimagine the representation of multiple dimensionalities and the pictorial possibilities of two-dimensional surfaces. The resulting image is a shaped object on a wall that conveys meaning in its physical presence, sparking curiosity and anxiety in those encountering it.

With an interest in confronting art history and its accompanying dogmas, I freely assimilate canonical conversations and create works that collapse the medium's traditional divisions. By doing so, I suggest that contemporary abstract painting can critically engage its rich history while transcending ideological limitations.

Leslie Smith III is a Madison, Wisconsin-based artist. Smith’s interests lie in our conscious effort to alter personal perception. Recent works explore Abstraction’s inherent personal and political properties as they relate to broadening notions of Black representation and expression. Leslie Smith III earned a BFA at the Maryland Institute College of Art and an MFA at the Yale School of Art. Smith exhibits nationally and internationally. His work can be found in the permanent collections of the High Museum of Art, Atlanta; the Virginia Museum of Fine Art, Richmond; the Birmingham Museum of Art; the Abroms-Engel Institute for the Visual Arts, Birmingham, AL; and the FRAC Auvergne, France. Smith is currently a Full Professor of Art at the University of Wisconsin-Madison and a recent 2022 Joan Mitchell Foundation Fellow.

Not one human face or figure appears in the latest works by American painter Leslie Smith III. And yet his practice, by his own admission, is an investigation of the human experience. “Representation is cumbersome when dealing with human form,” says Smith III, whose new paintings are characterized by geometric forms, bold lines, and a vibrant color palette. “My studio practice is concentrated around visual abstraction as a method for communicating anguish.

(…)

click on ARTSY logo to read the full article and interview with Leslie.

Exhibitions

  • ANYONE CAN MOVE A MOUNTAIN

    August 19 - October 15, 2022

  • LESLIE SMITH III: STRANGER DAYS

    January 28 - March 26, 2022

  • DARKER THAN BLUE

    May 17 - July 21, 2021

  • NIGHT IN AMERICA

    September 23 - December 11, 2020

  • LESLIE SMITH III: LOCUS OF CONTROL

    March 17 - April 21, 2017

  • LESLIE SMITH III: AS I REMEMBERED

    February 21 - March 21, 2014

  • PULP 3: WORK ON PAPER | WORK WITH PAPER

    August 9 - September 7, 2013

Publications

  • LEFT TO THINK ALONE

    published by Maus Contemporary
    october 2017
    with texts by Valerie Cassel Oliver, Alex Robins, Leslie Walfish, and a conversation with Peter Halley
    10 by 8 inches (ca. 25,4 by 20,3 cm)

    softcover, 224 pages, full color

    isbn: 978-0-9988397-0-7