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LESLIE SMITH III: LOCUS OF CONTROL
March 17 - April 21, 2017
Maus Contemporary is excited to announce Leslie Smith III: Locus Of Control, the artist’s second one-person exhibition with the gallery.
Locus of Control investigates the degree to which people believe they have control over the outcome of events in their lives, as opposed to exterior forces outside their control. Formally, this project explores unique and individual viewing experiences that challenge how we understand ourselves in relationship to those around us. Referencing the history of Black abstraction the subjects of these inquiries reflect intentions to politicize abstraction in the interest of suggesting perception as a defining factor in our cultural affair with otherness. I have produced a series of works where shaped oil paintings redefine the space of the wall with conflicting tangential parings. The pursuit being, to generate works that exhibits the social agency of abstraction while simultaneously contributing to the contemporary discourse within the broader art world.
Comprised of a series of paintings and works on paper, Locus of Control exhibits distinct spaces not dependent upon traditional three-dimensional perspectives. I’ve begun to fracture singular shaped canvases into multiple shapes that relate to each other tangentially. Connected to each other at points, they shift, lean and pull away from each other, at times creating voids and linear creases, forged when two adjacent panels are bolted together. The viewing experience abets the prospect of uncoupling previous histories from identifying unfamiliar forms.
Locus of Control reconsiders the causal-relationship between my philosophical and social concerns, namely, the resulting image and viewing experience.
I have delved deeper into creating image-objects that provoke perceived experiences and collectively share a consciousness of one’s willingness to alter personal perception in order to correct how difference is seen.
I intend to create viewing experiences, which represent the possibility of empowering viewers to change perspective.
- Leslie Smith III
Not one human face or figure appears in the latest works by American painter Leslie Smith III. And yet his practice, by his own admission, is an investigation of the human experience. “Representation is cumbersome when dealing with human form,” says Smith III, whose new paintings are characterized by geometric forms, bold lines, and a vibrant color palette. “My studio practice is concentrated around visual abstraction as a method for communicating anguish.”
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click on ARTSY logo to read the full article and interview with Leslie.
Leslie Smith III
Locus of Control
2017
oil on shaped canvas
approx. 50.5 by 51.5 in. (ca. 128,3 by 130,8 cm)
Leslie Smith III
Dear Ed Clark: The Rite of Spring
2017
oil on shaped canvas
approx. 50.5 by 48.75 in. (ca. 128,3 by 123,8 cm)
permanent collection of the Birmingham Museum of Art, Birmingham, Alabama
Leslie Smith III
Ultimatum
2017
oil on shaped canvas
approx. 29.5 by 46 in. (ca. 75 by 117 cm)
private US collection
Leslie Smith III
The Mistress of Time
2017
oil on shaped canvas
approx. 55.5 by 52 in. (ca. 141 by 132 cm)
permanent collection of the Virginia Museum of Fine Arts, Richmond, Virginia
Leslie Smith III
Five Sided Disposition
2016
oil on shaped canvas
approx. 53 by 50 in. (ca. 135 by 127 cm)
Leslie Smith III
Sweet Dreams and Flying Machines
2016
oil on shaped canvas
approx. 75 by 110 in. (ca. 190,5 by 279,5 cm)
permanent collection of the High Museum of Art, Atlanta, Georgia