Clayton Colvin

Abstract artwork featuring white geometric shapes on a dark, textured background with horizontal stripes and hints of color.

Colvin has developed a practice of painting that is both challenging and seductive, using a hybrid of figurative and abstract approaches to create delicate, fantastic, and concrete spaces - the immediate and intimate nature of drawing infusing his paintings with an hypnotic mix of familiarity and mystery. The artist’s recent work continues what critic Cinque Hicks described in Art in America as his “naked search for new answers to old questions.
Colvin’s subtlety and dexterity comes from a decade-long interrogation of the practices and processes of drawing and painting. Having the capacity to represent the onslaught of technology against the resistance of history is an element of the Zen-like approach to Colvin’s studio practice. Works such as A New Memory (shown hereunder), contrasts the suggestion of the ubiquitous pixel, with its square shape, against the deep, blue depths of the picture’s plane. Colvin lays what seems to be the process on the surface, with visible brushstrokes, but his works are always far more complex, layered and multifaceted, revealing how they have been constructed only upon a close, intimate, personal inspection.

Rowan Ricardo Phillips, writing for Artforum, commented “ (...) At times, painting seems to give way to drawing, and at other times, drawing seems to give way to painting. Erasures and additions reveal and conceal other layers, complicating ideas of before and after, original and addition, right side up and upside down. The paintings thrive in paradox: They can seem crowded and full of movement, a sense of unsettled energy populating their spaces; after sustained viewing, however, a calm and measured contemplativeness saturates the canvases. (...) The paintings seem to move when you don’t look at them and stand still when you do - each striving to represent both the noise in which contemporary life finds itself ensnared, and the quiet meditation that can free it.

Colvin’s work is included in the permanent collections of the High Museum of Art (Atlanta, GA), the Birmingham Museum of Art (Birmingham, AL), and the Mobile Museum of Art (Mobile, AL).

Reviews of his work have appeared in Art in America, Artforum.com, San Francisco Arts Quarterly, and ArtPapers, amidst others.

Abstract painting with geometric shapes and bold colors including blue, yellow, red, and green.

Clayton Colvin

A New Memory

2025
acrylic and ink on linen
16 by 20 in. (ca. 40,6 by 50,8 cm)

Exhibitions

  • Abstract artwork by Clayton Colvin titled "The Descent" featuring colorful geometric shapes and patterns.

    CLAYTON COLVIN: THE DESCENT

    April 4 - May 16, 2025

  • Abstract painting with grid pattern, multicolored rectangles, and a brown, beige, and green color palette.

    CLAYTON COLVIN: BOTS AND LOOPS

    October 28 - December 17, 2022

  • Abstract painting with red and brown shapes, overlapping dark lines, and vertical colorful stripes in the background.

    CLAYTON COLVIN: HOW MEMORY MOVES

    March 9 - April 20, 2018

  • Minimalist art piece in a gallery with white walls and ceiling lights, featuring a textured painting with subtle lines and patches in neutral tones.

    WERKSTOFF.

    September 15 - October 29, 2016

  • Abstract painting with red, orange, and yellow brushstrokes and grid lines on a beige background.

    CLAYTON COLVIN: NEW WAY TO FORGET

    January 23 - March 27, 2015

  • Abstract painting with blue, orange, and yellow colors, featuring wave-like brushstrokes in the center.

    CLAYTON COLVIN: SEWING UP THE SEA

    March 15 - April 19, 2013

  • Abstract watercolor painting with horizontal brushstrokes in blue, green, and rust tones on light background

    PULP 2: WORK ON PAPER | WORK WITH PAPER

    July 20 - August 24, 2012

  • Abstract painting with geometric shapes, soft gradients, and natural colors resembling a landscape with trees and light. Features overlapping layers of yellow, purple, green, and white hues.

    CLAYTON COLVIN: SPACE MOUNTAIN

    December 9, 2011 - January 21, 2012

  • Close-up of a textured black artwork on canvas with visible rectangular layers and rough, uneven surfaces.

    IS THAT A PAINTING?

    September 9 - October 22, 2011

  • Black and white photo of a person in underwear, crawling on a table, with German text written below.

    PULP: WORK ON PAPER | WORK WITH PAPER

    July 29 - August 31, 2011

Publications

  • SPACE MOUNTAIN

    published by Maus Contemporary
    november 2011
    with texts by Ed Skoog, Brian Edmonds, and Brian Bishop
    8 by 10 inches (ca. 20,3 by 25,4 cm)

    hardcover, 72 pages, full color

    isbn: 978-1-3648109-9-3