• CLAYTON COLVIN: THE DESCENT

    April 4 - May 16, 2025

    opening reception: Friday, April 4 (6-8pm)

The recent paintings shown in The Descent continue to investigate fragility and experience through the building and breaking of patterns, exposing and celebrating their inherent doom.

The spaces created in these paintings through experimentation, revision, and pausing allow for adjustments at various periods of time -at what sometimes feels like a whim, since it doesn’t matter; the change will yield more freedom in some form.

The title of the exhibition references the poem “the Descent” by William Carlos Williams.

The poem begins:

The descent beckons

as the ascent beckoned

Memory is a kind

of accomplishment

a sort of renewal

even

an initiation, since the spaces it opens are new places

"Fragility and ephemerality are guiding principles in Clayton Colvin's art. Playing with pattern and perception to address these concepts, Colvin creates loose, geometric imagery that combines drawing, painting, and textiles. In fact, Colvin does not distinguish between drawing and painting and purposefully shifts from one to the other in abstract works that fluctuate from formal to expressive. With subtle and playful sense of humor, the artist puts humanity at the center of his work. He explains, "I am interested in feelings, flawed and visceral. I am fragile. I am amazed. I am thankful. It is dirty stuff. It is human. It plays sometimes at control and pixel perfection, and its failure reveals the exact element I want to express.

Merging painted brushstrokes with drawn marks while adding and erasing layers, Colvin finds inspiration in how we consume images, often now mediated through cell phone cameras (...) he deconstructs everyday patterns and digitization found in technology to its base shapes and colors to focus on movement and energy in works that become transcendent."


- Jennifer Jankauskas, Curator of Contemporary Art, Arkansas Museum of Fine Arts