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Melissa Vandenberg is included in YOUR BODY IS A BATTLEGROUND,

curated by Wendy Vogel

 

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Yoshishige Furukawa - the 1960s dot paintingsYoshishige Furukawa - the 1960s dot paintings

 

Yoshishige Furukawa

the 1960s dot paintings 

 

through March 4, 2017

 

 

Yoshishige Furukawa (b. 1921 in Fukuoka, Japan; d. 2008 in Kanagawa, Japan) earned his BFA in painting at the Tokyo School of Fine Arts (now Tokyo University of the Arts) in 1943. He moved to the United States in 1963, and spent the subsequent decades between the United States and his native Japan.

His work is in the collections of the National Museum of Modern Art in Tokyo, the National Museum of Art in Osaka, the National Museum of Modern Art in Kyoto, the Fukuoka Art Museum in Fukuoka, and the Saga Prefectural Art Museum, among others. In the United States, Furukawa’s work has been exhibited in institutions including the Albright-Knox Museum, and during his lifetime he received two grants from the Pollock-Krasner Foundation.

 

 

Visit us at DRAWING NOW Paris
Travis Somerville (US), Suso Fandiño (Spain), Catherine Tafur (US)
Leslie Smith III (US), and Yoshishige Furukawa (Japan)

 

 

 

Leslie Smith IIILeslie Smith III

 

Leslie Smith III

Locus Of Control 

 

March 17 - April 21, 2017

 

opening reception

Friday, March 17 (6-8pm)

 

 

Maus Contemporary is excited to announce the exhibition Leslie Smith III  Locus of Control, the artist’s second solo exhibition at the gallery.

 

 

Locus of Control reconsiders the causal-relationship between my philosophical and social concerns, namely, the resulting image and viewing experience. I have delved deeper into creating image-objects that provoke perceived experiences and collectively share a consciousness of ones willingness to alter personal perception in order to correct how difference is seen. I intend to create viewing experiences, which represent the possibility of empowering viewers to change perspective.

- Leslie Smith III

 

 

Locus of Control investigates the degree to which people believe they have control over the outcome of events in their lives, as opposed to exterior forces outside their control. Formally, this project explores unique and individual viewing experiences that challenge how we understand ourselves in relationship to those around us. Referencing the history of Black abstraction the subjects of these inquiries reflect intentions to politicize abstraction in the interest of suggesting perception as a defining factor in our cultural affair with otherness. I have produced a series of works where shaped oil paintings redefine the space of the wall with conflicting tangential parings. The pursuit being, to generate works that exhibits the social agency of abstraction while simultaneously contributing to the contemporary discourse within the broader art world.  

As a series of paintings, Locus of Control exhibits distinct spaces not dependent upon traditional three-dimensional perspectives. I’ve begun to fracture singular shaped canvases into multiple shapes that relate to each other tangentially. Connected to each other at points, they shift, lean and pull away from each other, at times creating voids and linear creases, forged when two adjacent panels are bolted together. The viewing experience abets the prospect of uncoupling previous histories from identifying unfamiliar forms.

 

 

click image to read the Artsy interviewclick image to read the Artsy interview

 click image to read the interview

 

 

Congratulations to Jelili Atiku for his inclusion in the 57th Biennale di Venezia, May 13 to November 26, 2017

learn more about the 57th Biennale di Venezialearn more about the 57th Biennale di Venezia

find out more about Jelili Atikufind out more about Jelili Atiku

 

 

 

Suso Fandiño, "the people", 2016, acrylic paint on book (1984, by George Orwell, pp 190-191), ca. 23 by 28 cmSuso Fandiño, "the people", 2016, acrylic paint on book (1984, by George Orwell, pp 190-191), ca. 23 by 28 cm

kill switch

six contemporary artists invite us to reflect

on loss, displacement, and hope

 

Gema Alava

Graham Fagen

Suso Fandiño

Misha Bies Golas

Travis Somerville

Melissa Vandenberg

 

May 5 - July 29, 2017

opening reception

Friday, May 5 (6-8pm)

 

 

 

Travis Somerville   Homeland No Security

curated by Fernando Francés

 

Travis Somerville's first Museum exhibition in Europe, Homeland No Security at CAC Málaga, in Málaga, Spain


February 17 - May 7, 2017

 

click image to learn more about CAC Málaga's exhibition Travis Somerville "Homeland No Security"click image to learn more about CAC Málaga's exhibition Travis Somerville "Homeland No Security"

 

 

 

 

click image to read the Artsy interviewclick image to read the Artsy interview

click image to read the interview

 

 

Maus Contemporary is a contemporary art gallery and space dedicated to supporting creativity with a focus on experimental and issue driven works. Through representing emerging, established, and internationally recognized artists, the gallery is committed to bringing a global perspective to contemporary issues and practices across the visual arts.

The program consists of exhibitions, print publications, and media outreach. Noteworthy exhibitions include Willie Cole "FIRE/FLY", Mark Flood "FACEBOOK FARM" (AICA-USA finalist / Best Show in a Commercial Space Nationally outside of New York), Clayton Colvin "SEWING UP THE SEA" (reviewed for Art in America), Odili Donald Odita "GREY" (Artforum critic's pick), Travis Somerville "AMERICAN RHETORIC", and Iranian-American artist Taravat Talepasand "NOT AN ARAB SPRING". The gallery has participated for several years in international art fairs such as ARCO Madrid, Art Brussels, Volta New York and Volta Basel, Switzerland, amidst others.

In an effort to be more environmentally responsible, the gallery will no longer mail printed announcement cards. Please subscribe to our email list.