• LUCA BUVOLI: DAY 12 - SPACEWALK

    May 19 - August 12, 2023

Ed was on a long string, so to speak, and when he’d get out to the end of the line the tension in it slowed him down, then pulled him back toward the point where the cable was fastened. As he was floating away from the spacecraft and as he moved around I could look out the hatch and see him against the background of the Earth. That was rather impressive.

- James McDivitt

image: Astronaut Edward H. White II performing the first American spacewalk during the Gemini 4 mission on June 3, 1965.

White, pilot of the Gemini IV four-day Earth-orbital mission, floats in the zero gravity of space outside the Gemini IV spacecraft. White wears a specially designed spacesuit; and the visor of the helmet is gold plated to protect him against the unfiltered rays of the sun. He wears an emergency oxygen pack, also. He is secured to the spacecraft by a 25-feet umbilical line and a 23-feet tether line, both wrapped in gold tape to form one cord. In his right hand is a Hand-Held Self-Maneuvering Unit (HHSMU) with which he controls his movements in space.

Photograph by James A. McDivitt, command pilot of the mission, image credit: NASA

On the third orbit of the mission, White and his crewmate Jim McDivitt had depressurized the cabin, and begun preparations. The hatch proved cumbersome. But once opened, White stood in the hatchway, half exposed to the harsh elements of space and half secure in the spacecraft. He then tucked his legs up and over the hatch’s edge as the spacecraft orbited over Hawaii. A stray glove floated out of the capsule, past White, and off into outer space, lost for good.

For the first few minutes of the spacewalk, White maneuvered with a handheld “zip gun,” which shot compressed air into outer space. He positioned it close to his body, ensuring greater control. But after four too-brief minutes, he expended all the gas and was left navigating outer space with only the umbilical, his lifeline. Gold and shiny, and 23.5-feet long, the umbilical housed an oxygen hose, electrical connectors, and a communications lead. “You looked like you were in your mother’s womb,” McDivitt later told him.

White reveled in his newfound disorientation, free from the sensations of speed, gravity, and direction. “You could almost not drag me in,” he said, before finally relenting. White called the return to the familiarity and confines of the spacecraft, “the saddest moment of my life.”

There was absolutely no sensation of falling. There was very little sensation of speed,” recounted astronaut Ed White in his attempt to relate the experience of spacewalking to his Earth-bound colleagues. Rather, he felt “like a weight on the end of a string.” For twenty-one minutes in 1965, White bobbed above Earth in his spacesuit, orbiting at a speedy 17,500 miles an hour. A sole golden umbilical tethered him to his Gemini spacecraft. His spacesuit’s layers of nylon, mylar, and Nomex were all that insulated him from the vacuum of outer space.

White’s spacewalk, or as NASA termed it, “extravehicular activity (EVA),” although fleeting, felt profound. “This is the greatest experience I’ve… it’s just tremendous,” he explained. So tremendous, he ignored orders and then pleas from Mission Control and his crewmate to return to the spacecraft.

In Space Doubt – Day 12: First U.S. Spacewalk, Luca Buvoli revisits and reinterprets the iconic photograph of White, suspended in outer space. He probes the destabilizing elements of the first U.S. spacewalk, confronting White’s conjoined emotions of nascency and cessation, elation and desolation. Day 12: First U.S. Spacewalk is part of the artist’s ongoing multi-media “expedition” entitled Space Doubt, which began in 2009.

In Phase I (2009-2011), of the three-phase “expedition,” Buvoli trained with NASA scientists, undergoing experiments used to prepare astronauts for zero gravity, motion sickness, and vertigo. In 2011, he embarked on a six-month fictional residency on the International Space Station (ISS) for Phase II (May-November 2011). Each day he logged one idea for an artwork, which drew inspiration from outer space, science, the final Space Shuttle flight, and his own life. Phase III (2011-current) is bringing the 180 logged ideas to life.




- Teasel Muir-Harmony, PhD, Curator of the Apollo Collection, Smithsonian National Air and Space Museum

click image to access a check list of the exhibition LUCA BUVOLI: DAY 12 - SPACEWALK